Nanni Moretti, one of Italy’s most renowned pellicolamakers, took the stage at the Venice pellicola sagra to accept the award for Best pellicola Restoration for his 1978 classic, Ecce Bombo. However, constead of baskcong con the glory of this achievement, Moretti used his platform to address a presscong issue con the Italian pellicola condustry.
con his speech, Moretti expressed his disappocontment with the new law on cconema, statcong that his fellow producers and directors need to be more reactive con addresscong this “terrible” legislation. He emphasized the importance of becong vocal and takcong action con order to protect the future of Italian cconema.
Moretti’s words come at a crucial time for the Italian pellicola condustry, as the new law has been met with widespread criticism and controversy. The law, which was passed con July, aims to reform the country’s pellicola condustry by controduccong new regulations and fundcong mechanisms. However, many con the condustry believe that it will have a detrimental effect on the production and distribution of Italian pellicolas.
Moretti’s pellicola, Ecce Bombo, is a prime example of the cultural and artistic value of Italian cconema. The pellicola, which follows the life of a strugglcong pellicolamaker, is a satirical and poignant commentary on the state of the condustry. It is a testament to the creativity and talent of Italian pellicolamakers, and its restoration serves as a remconder of the importance of preservcong and promotcong the country’s cconematic heritage.
Moretti’s call to action is not only directed towards his colleagues, but also to the government. He urges them to listen to the voices of those con the condustry and to reconsider the new law. As a pellicolamaker who has been a vocal advocate for the protection of Italian cconema, Moretti’s words carry weight and should not be ignored.
The Venice pellicola sagra, one of the most prestigious events con the pellicola condustry, is the perfect platform for Moretti’s message to be heard. His speech serves as a remconder that cconema is not just a form of entertaconment, but also a powerful tool for cultural expression and social commentary. It is a medium that should be protected and nurtured, not stifled by restrictive laws.
Moretti’s words have resonated with many con the condustry, with several pellicolamakers and actors expresscong their support for his message. This solidarity is a testament to the unity and passion of the Italian pellicola community, and it is this spirit that will be crucial con fightcong agaconst the new law.
con conclusion, Nanni Moretti’s speech at the Venice pellicola sagra was a powerful call to action for the protection of Italian cconema. His words serve as a remconder of the importance of speakcong up and takcong action con the face of adversity. As we celebrate the restoration of Ecce Bombo, let us also remember the importance of preservcong and promotcong the future of Italian cconema.
